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January 2019

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mephestopheles: Steve Rogers, trans pride flag (Default)

I am so excited, I pulled this win out of the ether with twenty minutes to spare. I became a rebel halfway through this month to finish up a fanfic I’ve been working on since May. It needed so much restructuring and I had to rewrite at least 40% of it. 

So all tolled, I wrote maybe 4k for Off the Grid, I wrote a blog post, and I wrote a bunch of world building stuff for the universe that Off the Grid is set and then started looking at Drifting Sands to tidy it up. 

And found it was a mess. 

Not unsalvagable but holy shit the one tiny change I made in the beginning of the fic for the location created it’s own butterfly effect. So I had to rewrite most of chapter two, add a bucket of things to chapter three and four. And rewrite most of five, and all of six.

Now, I’m exhausted, I have some last minute editing to do and I work backshift tonight. 

I’m trying something new this month, I’m going to see if I keep up daily blog here while I do some writerly things and more creative pursuits. Just of the cuff, nothing really edited or article-esque at this point. 

I’m also participating in Worldember over at WorldAnvil. If you want to see what I’m writing and what I’m doing there you can watch the progress here or follow my worlds over there. Would love to see people. 

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)


It’s Nano time! If you’ve found my blog you know what nanowrimo is and what you need to do. Have you’ve decided to join in the candy fueled demonic competition to get fifty thousand words out of your brain and spewed haphazardly into the word document program of your choice?

If you have I have some handy tips and a collection of stuff I use to survive the careening death race that is nanowrimo.

Let’s get Physical

Olivia Newton John video let’s get physical

Thing one! Something to write with, be it a notebook or laptop or tablet with a keyboard, you and I need something that can and will keep up with the fury that comes with the screaming hellfires called upon by dark magicks to unleash the words deep within your soul.

Or ya know, you need a place to keep that shit.

Even if you’re not using a notebook to write the depths of your feelings, I highly recommend one for the ephemera that collects around writing. Outlines, character notes, the half mad ramblings that might strike you in the depths of the night when you’re alone with your chittering thoughts.

Also it’s great if you decide to write a sequel to know who has green eyes or what not even if the casting department of.your future movie franchise fuck it up in the most spectacular way and the editing department drops the ball in colour correction.

The next thing you’re going to need is somewhere to write. This could an office, your bedroom. Under the bed, deep in the nether realm whilst the demons torment you upon their wicked torture devices.

Starbucks is also good.

Starbucks pumpkin spiced latte surfing in space

Just find a place where you can cut the bullshit and write. It’s 1667 a day until November 30th and there is no time whatsoever for fucking around. 

On top of a laptop/notebook, I’ve got my writing bullet journal, a pencil case with some of my favourite pens and mildliners, and a messenger bag to make it easy to travel to the coffee shop or library when necessary. 

Onto the apps

Bruce Almighty Jim Carrey typing gif

So you’ve either got your phone or a laptop and the next step is what the hell program am I going to use? Lots use Scrivener, I’ve tried, several times, I own the program. The problem is that while the MAC version might be a program sent from the heavens, the windows version is the bastardized love child cobbled together with twine and bubblegum with arcane and demonic sigils in it’s inspector. 

It’s not what I’m used to and I’m on the tail end of millennial crowd so I’m kind of straddling the get off my lawn divide when I find a new app. I like Word, it works on my computer and it doesn’t die a horrible death and I don’t spend hours trying to figure out what thingy does what.

That being said, 4thewords.com is fan-fucking-tastic. I’m easily entertained and I like constant validation to keep me fed and happy and not terrified of the inevitable grim parade of my gradual and permanent obsolescence as time ever marches forth. 

I use a combination of Spotify, Google Music, and youtube for music and videos and anything that keeps the silence at bay. Atmospheric Sci-fi playlist is what I’m using to get me in the mood for my nano novel. Anything instrumental generally. 

Focus apps work for some, I usually pick a monster on 4the words and whinge while writing the first 15 minutes until the muse finally shows up and helps with the ideas. 

Please don’t forget to eat

Patrick from Spongebob eating and drooling

Hey, do yourself and me a favour, have more than a passing relationship with a vegetable during this month. Fastfood and quick meals are all well and good, but your body will thank you when you don’t come down with the after effects of a con plague and scurvy form a demonic pact to use your lungs as a five star hotel for it’s weird assed children. 

Kimmy schmidt gif of the titular character in a candy store exclaiming I’m having Candy for Dinner

Sure candy for supper sounds like a great idea, and I have in fact done it. It’s awesome. Not more than one night in a row. Order hello fresh if you can afford it, find a place in your home town that does kitchen meals. Where I’m from we have a place called skip the kitchen it’s a great bit of homemade style meals that are actually healthy. 

Have a salad, go for a walk. Do not forget to clean things. Your brain, your family, and your life will thank you. 

Also laundry, trust me. 

Reward yourself with things 

a hot cup of tea on a desk with steam curling from the mug

Reward yourself, nothing big, but create a system where you celebrate every single victory you can drag from unholy grip of the hellbeasts that control this month. Hit 5k? Celebrate with a cup of your favourite tea and your favourite game. Hit 10K buy yourself something. Go to a movie. DO SOMETHING NICE FOR YOURSELF. 

Let me repeat that. 

Writing is fucking hard. It’s fucking work. 

Anderson from BBC sherlock collapsing in a pile of horrible plot contrivances and shitty writing

You need to reward yourself for the shit you do. There is no later, there is no next hill. Or rather there’s always another hill, a bigger acheivement. Just celebrate them now.

Okay that’s it I’m out of here! My roommate mutated the con plague she got last week and now has decided to give it to myself and her husband, anyone have any good remedies to kick a sinus thing in the ass before it takes me out? I always get a shitty November chest infection and I’d like to avoid it this time around.”

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)
World-building is that part of writing people either love or absolutely hate with a fiery passion. All fiction requires some worldbuilding, but the contemporary modern day slice of life novel requires less alteration of our current set up than say a second world fantasy novel set in a post apocalyptic waste land, that spends it’s time being introspective and nostalgic for the simpler times of long ago.* I’m here to give fellow writers a bit of a hand. When writing fantasy, or science fiction specifically, the breadth of world-building can be daunting, so I’m going to start you off with three essential questions that will get you started. These questions will open up the necessary avenues for what you’ll need in your fictional universe to set things in motion.

Who Runs the Show?

Who rules your world? This is give you so much information right here. Are you dealing with a small kingdom run by an aged king where the true rulers is the advisor behind the scenes. Are you dealing with a science ficion update to the United Nations? Who owns the keys to kingdom will inform everything else on the way down. It will give you access to the rules available to that governmental system whether it be feudal society with a system of petty kings oweing their allegiance to a high king. Or if they’re a democratic hegemony with a secret cabal of voters that determine the outcomes of a society for them. The choices here are endless, but once you decide who runs the show on your plan, or how many run the show depending on how big your world and plot are, it will get you moving in the right direction.

Who has the Money

This might seem to go with the first one, but it’s not necessary. The king might have empty coffers and be completely dependent on two or three of his cadre. This will convert to some power imbalance, but it’s possible for someone to have a lot of personal or social power without access to the money. Here you want to find out who runs business, who makes the money and how do they make it. Is this captialist structure with a free market or a socialist structure where people control the means of production.By looking at the economic structures and development of your world you can see the stress marks. Does your world deal with a complex barter system that requires an identifiable pricing system for products and for labour? Where does these rules fall apart? Is the money tied in with the government? Generally this is going to be a yes obviously kind of answer, especially in western analog worlds. Either with a similar lobby system like the US where corporations that control much of the money use that to influence government decision making. Or it could be a very strict system where money cannot be exchanged for favours in either government or elsewhere.

Who Suffers?

The two above questions will inform this one. Where are stress marks? Who doesn’t have the money and doesn’t have access to government? Where are the outsiders and outliers. The ones society has forgotten or ignores, vilifies? Utopias are pipe dreams, and everyone wants them to exist, but in fiction they are boring. Not because everyone being good to each is bad or that kindness is boring, but story is derived from conflict. Two or more opposing views clash and come away changed. So even in a utopia there are stress marks, fractures where the individual and the whole create friction and don’t mesh. These three questions will get you started and in a first draft of you’ve answered these three you will unlikely need much more. Yes of course you’re going to require setting information, but if you’ve answered these you’ll have a better idea of whether your world supports large cities or if it’s a small collection of townships, just based on the government size and style. This kicks off an off and on series I’m starting for world building in fiction. If you’re interested in seeing more, follow my email list, or comment here. I love talking about writing and can’t wait to see you. *Lord of the Rings

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)

So I had a lot of ideas at the beginning of the year, especially regarding knitting. That tends to happen when I start looking at projects and am in the middle of a knitting high. The problem with that is I spent December knitting socks and gave myself carpel tunnel.

I tried to knit for a while into January and had a decent start on the find your fade shawl, but my hands were hurting all the time and I really couldn’t get as far as I wanted. So I had to put the needles down.

It didn’t help that when I did pick the needles back up again I lost my place and screwed up the count on my stitches so horribly it was a more humane death to rip it out and start something new.

That doesn’t mean I’ve done nothing just that my work has been sporadic. I’ve picked up writing again and I’m working on two projects one for nanowrimo and a fanfic set in the MCU.

I’ve also been drawing some. I’ve worked on some multimedia things, I’ve picked up and set aside a bullet journal on two occasions this year. I’ve tried watercolor and really like it. And I’ve decided to take my spinning wheel apart to clean and stain it.

With nano 2018 happening soon I’m taking October to do the preptober challenges that are hanging around on Instagram. Feel free to check that out. When the month ends I might collate all photos and do a full post about it. I’m trying to get into the habit of using this again and not depend on other social media outlets to be my only visibility.

Read the rest of this entry » )

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)

Knit Queue

Well, 2018 is here and I’ve spent the last year with a whole lot of plans to get this site off the ground and ended up doing very little to even try. So instead of focusing on writing specifically this year I’m going to just focus on personal blogging and get something written for a change. Figure I would start the year off with my knitting plans and then go from there.

Find Your Fade

First up is Find your Fade by Andrea Mowry. Asymmetrical triangle shawl that uses colour melting to blend yarn colours to get a fade from one shade to another. My plan is to shift from red through oranges then blues to purples. I’m using mostly stash yarn and I was happy to find not only stash I really wanted to use but a colour shift I was happy with. The Deep red Diamond Luxury Yarn is a discontinued line of Soxy, in cranberry, I have about a skein left from when I bought it ten years ago. I’ve tried using it a couple of times but ending up frogging several projects.

Next colour is another discontinued brand, Waterloo Wools, an indie dyer from Ontario, who had some gorgeous gorgeous colours. The colourway is Santa Fe and it’s much oranger than the bottom left picture shows, I couldn’t find a decent colour and I lost the band years ago, I think it’s Algonquin, which is a silk merino blend. Next up, playing up the orangey reds in the Santa Fe is Fleece Artist Blue Faced Leicester Sock yarn in a special colourway from Baadeck Yarns called Baddeck Sunset. It’s orangey with pinks and reds sprinkled through. That weird yellowing filtered pic is a shitty approximation, once I get to that colour I will start taking pictures.

The next sock yarn is Opal Sock in the Van Gogh colour ways, the street cafe that has a lot of oranges but brings in some deep blues and greys. This colour is the transition from the reds into the cooler tones and I’m so excited to see how this shapes up. The next colourway is Malvin in Manos Del Uruguay Allegria, followed by Sheepy Time Knits on Sheepy Feet In Oncoming Storm. The Oncoming storm colour is too blue to transition nicely into the Araucania Ranco Sock in purples and pinks pictured bottom right so I a possible one with the Tannat from the Allegria line, but I knit a sock in that variety and think it’s way too red to do the right colour shift, so I’m waiting to pick up a colourway from My Fair Ladies in a few weeks achieve the right shift.

The next batch don’t require as much typing, holy crap.

Entrechat is a gorgeous little sweater for my cousin’s two little girls. I have the bottom colourway all ready to go. It’s Cascade 220 superwash Wave in Spring. The colourshift is much nicer than the picture appears and it’s a self striping but a slow one. I’m torn between the light and dark purple for the older daughter.

Braken By Ann Rowden is a bulky weight child’s sweater that I’m queuing up to knit for another cousin’s two boys. I’m thinking of doing this in Cascade 220 speckled, but the jury is still out and I’ve got a few other colours and yarns to look at before I get there.

Wurm by Katushika is a slouch style hat. The planned yarn is Sugar Bush Bold which is thicker than the suggested yarn so there is some math to figure out but it’s a quick knit and really gorgeous. These hats are going to be for my roomates.

Entwine is a super chunky ribbed scarf in Cascade Magnum. I’m making three, they take about two balls of Magnum to get a decent length, although for Dennis’ scarf I might need two and half because he’s so fricken tall.

Persian Dreams by Jenise Hope, this is one of those things I want to pick at and just pick random colours from the Knit picks palette I have lying around. I will probably need more white at some point for the edge, but I’m not looking at dealing with that until I’m near putting them together.

Flax by Tincanknits is a worsted weight sweater with a garter stitch decoration at the arms. I’m planning on using Brown Sheep Company in Lanaloft Solid, Botanical Gardens. I bought four cones of it a few years ago for my dad’s sweater and only ended up using a cone and a half for his sweater.

Usonian By Dee O’Keefe is a triangular shawl with a simple lace pattern showing off the stunning colours. I’m planning on using Manos Del Uruguay Fino a silk merino blend single in Brass Button and the mini skein set called Augusta which includes Silver Tea Set, Watered Silk, Storm Glass, Peacock Plume, Mourning.

Fallston By Dee O’Keefe another colourwork shawl in Manos Del Uruguay, this time in the colour collection Georgiana, which includes Damas, Peacock Plume, Velvet Pincushion, Brass Button, and Poison. This is only 450 metres, about 492 yards, and I’m still missing about 200 yds. If I finish Usonian first, I can add what colours I don’t use from that into this. I have 1390 metres of Fino, that gives me 690 metres per pattern. This pattern requires at most 613 metres, and the other is 622 metres. I might have to play yarn chicken with a couple of colours but hopefully I’ll be good.

Ranger Cowl By Michael Vloedman is a glorious architectural hooded cowl with a description so funny and fantastic I needed to purchase it. I’m looking at using Ashford Tekapo held double in either of the three colours pictures, or whatever I have in my stash at time.

Redford by Julie Hoover is a bottom up fingering weight sweater with garter stitch side panels and it looks gorgeous and I can’t wait to knit it Knit Picks Palette Victorian Love Letter Sampler I picked up last year.

I have three WIPS as well, Caledonia, a circular shawl I’m designing, and the Baby Surprise Jacket. Hopefully I will be able to keep to this plan. I’ve rejoined a few forms on Ravelry, the Anhk-Morpork Guild Wars, and The Lord of the Rings Stash Quest. With the exception of the hats and the four baby sweaters, I don’t have to purchase outside of my stash. The baby sweaters require superwash, they’re for children under the age of eight.

Overall this is good start on my stash, and hopefully once I catologue it and figure everything out I’ll have a better idea.

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)

On Thursday of last week, I travelled up to Halifax for their annual fan convention, Hal-con. This was my second year attending and I’ve had a blast each time. The Convention runs from Friday to Sunday, with a meet and greet on Thursday evening kicking off the weekend-long geek fest. I had my schedule set up to take in as many writing panels as possible, see as much as I could and enjoy the experience.

We arrived in time for the door opening on Thursday, the lines weren’t terrible and once it started moving it picked up quickly. The heat in the venue was unbelievable with so many crammed into the main entrance. We were early enough that we scored early entry bracelets and our swag bags, the highlight of which is the hello fresh trial. Dennis received one as did I, so we’re going to see if it’s possible to combine them and give the thing a try.

Thursday night was Speed Friending at The Old Triangle, so we went down there, ate supper and went upstairs to join the group that was meandering in from the convention centre. I met some really great people, the hosts put on some nice icebreaker games to get people talking. I didn’t end up running into anyone I met at the speed friending, but it helped in its own way.

Narrowing down my fandoms for the little name tag was difficult, but I did meet several LOTR fans. It was a nice precursor to what the con was going to be like, a whole bunch of geeks and nerds in one place, various stages of awkward to outgoing depending on their comfort level with crowds and Halcon in general.

We stayed with friends in Sackville and they were absolutely wonderful and lovely.

Friday was the first day of the convention and arrived early enough that the lines were less bothersome. Dennis cosplayed dapper Deadpool to great effect. I didn’t cosplay this year, it’s not something I’m comfortable with just yet. I have trouble sometimes with dysphoria, mostly around my chest and it makes for awkwardness at the worst times. Case in point there is exactly one picture of me for the entire con and that was only because Dennis was kind enough to suggest it quietly so I could refuse if I felt too uncomfortable.

The key thing to a great con is awesome friends.

I picked up a nice bunch of swag, paying attention to smaller artists instead of the bigger shops. Bought several books that were subsequently autographed on later days, and then went for a walk around the entire convention hall. Bought my ticket for Jim Beaver autograph and waited for the first panel.

I have to say I had three favourite panels over the weekend. Friday’s panel was Urban Fantasy featuring Tanya Huff and Nicola R. White. Tanya has been writing in the genre since the late 80’s trust me if you haven’t read her, take it from someone who’s recently discovered her work, read them. I’ve started with the Keeper Trilogy and I’m hooked.

The panel discussed the recentish trend of fantasy taking on a more urban setting and the rise in magical realism and as Tanya put it, ‘our world a little to the left.’ There was talk about mixing genres and the rise in science fiction and slipstream fiction. Overall it was an interesting panel and the discussions were active and engaging.

Saturday’s favourite panel was Women in Media, Margarita Gakis and Tim Hanley were fantastic, the panel was engaging the audience was polite all the while making great points and bringing up a lot of issues that face women in the media. There was a lot of discussion of feminism and the current media representation is white feminism and that it’s struggling to include all voices when the subjects are very complex.

Dorks in Dungeons Presents: Geeks in Galaxies, put on a brilliant show. An improv sci-fi adventure where every decision is made by the role of a dice. Funny enough on its own, the audience has a chance to get reroll tokens which let us effect the story. We’re an evil audience, sometimes we were nice, other times we wanted to watch them fail and fail hard. It was a hilarious adventure and great fun.

I went to two panels on Sunday and both were very interesting, with Tamora Pierce hosting a panel on Believable Evil and creating villains, using influences from your life and how to tie them back to being real people. Writer Tips was the final panel I went to for the weekend and the authors once again offered some nice tips and tricks for handling my overemphasis on world building.

Although I didn’t get to see it happen, there was another contest I had been interested in and on a lark entered. It was the Love Letter contest. This year I entered because why not, what’s the worst thing that could happen, they don’t pick mine. So I took about a half hour and wrote something out in my bullet journal and copied it over editing as I transcribed and then set it off on its merry way.

I received an email on Tuesday evening of this that my letter had been selected, the princess loved mine the best and I won a copy of the Love Letters’ game. It’s also the first year a serious letter has one. So I was super excited. I’ve been waiting for them to put the letter up on facebook since they have the cleaned copy but I haven’t seen anything yet.  So instead of waiting I’ll see if I can remember my edits from the rough draft I still have.

 

My Dearest Love,

Please forgive the hasty scratch of my pen upon paper. It is a poor substitute for the feelings I wish to convey.

Better than I have made manifest the glory of your astounding presence. I am but a poor wordsmith, pouring my deepest emotion and most private thoughts into the crucible in the hope they shall be fired to brilliance and tempered by your love.

I write to thee in the vain and piteous hope that my poor, ineffectual words may one day find your heart. That my heart may join with yours, our minds together no longer drifting alone in the vast reaches, having met and found that which makes them stronger.

You do not complete me, my dear. Nor I, you. You, you are wholly your own as am I, but you give me the strength to follow my path and accept the things I have struggled against. It is my hope to be that for you. Not an anchor tying you a single port, but the sails to carry you further.

For you, my dear are my stars.

Yours F.

 

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)

In 1991, Disney released Beauty and the Beast to worldwide audiences. It catapulted the Disney renaissance that The Little Mermaid set in motion in 1989. As with many of their properties, Disney sought to update classic fairytales to a modern audience. Adaptation is a necessary part of retelling these stories and Beauty & the Beast is no stranger to adaptation.

The particular story we’re most family with was written late 1700s France by Gabrielle-Suzanne Barbot de Villeneuve and then rewritten Jeanne-Marie Leprince de Beaumont. In turn, the story is a possible retelling of the Eros and Psyche myth, and there is a 2nd-century Italian fairy tale and the Wikipedia article claims there are possible proto examples going as far back as 4,000 years ago. This story is well-worn and familiar concept and there are some fairly ridiculous tropes associated with it depending on the version. Damsel in Distress (Beauty), Shapeshifting, Eros and Psyche (trope), and depending on the version the awful trope of Noble Savage. Not all tropes are good, yo.

The original versions held that Belle’s father returned home and if one of his daughters didn’t agree to go live with the Beast, he would be killed. She is damseled in Beaumont’s and Villeneuve’s versions as they’re both a treatise on accepting arranged marriages. The original tale is less about female independence and more about accepting one’s lot in life and maybe it won’t turn out so shitty. Rantasmo has two great videos on both the 1991 animated version and the 2017 remake. Check him out, he’s awesome.

To continue, and if you haven’t fallen down a pit of tvtropes (I apologise if you have), the 1991 animated version needed to change. There are too many characters in 1946 film and even more in the French stories including several sisters and brothers, longer back story about the father being a failed merchant, and in the Villeneuve version there is even more back story of Fae involvement and apparently both Belle and the Beast are half Fae, it’s weird and Disney needed to cut things down, trim the fat from the plot and keep it to a 90 minute run time. They also couldn’t espouse the joys of arranged marriage, it was the 90s and they needed more traction with kids these days. So the protagonist has to change and it’s no longer Belle accepting her fate, it’s Beast’s journey. He’s given more of a POV and as such we see his character arc.

What Disney did in this movie was turn Belle’s outward seeking acceptance of fate plot and turn it into an introspective one where she is bookish, kind, but slightly odd, she is an outsider in a provincial French village, aside from Gaston, and some ‘well she can’t help it’ from a few of the more forgiving villagers, Belle is as much an outcast as Beast. And let’s get one thing straight, Gaston’s ‘acceptance’ of her is only insofar as she is physically beautiful enough to be a good possession. In the 1991 version, he still thinks she’s weird and reads too much and he plans on changing that.

Belle starts the story off curious, odd, bookish, and firmly aware of who she is, this is not a self-discovery mission for her, nor is there any change outwardly from beginning to end. She is still a compelling character. The plot doesn’t always have to change the character, her arc is based on events, her father goes missing, she goes to find him, he’s trapped by a beast in a castle, she takes his place, she tries to leave, decides to rescue the Beast after he saves her life, she goes to rescue her father Gaston and then she goes to rescue the Beast from Gaston.

DISNEY GAVE BELLE THE GODS DAMN PRINCE’S CHARACTER ARC!

No really look at it again.

Now compare this to The Prince from Snow White, or Prince Phillip from Sleeping Beauty, hell even Eric from Mermaid has a traditional Prince story arc. They don’t need to be changed by the narrative, they’re complete from the beginning, they are proactive and do the rescuing. In an effort to give more sympathy and pathos to the Beast they subverted the damsel in distress trope.

Beast starts the story off as a neglectful selfish prince. He’s cruel and unkind to his staff, turns those in need away, and he’s vain and puts too much importance on appearance. He’s cursed by an enchantress and trapped in his castle. Depending on the version he might be able to move about freely but his appearance is met with terror or violence, so he becomes bitter, lonely, and angry. He lashes out to those who stumble upon his home because they risk his safety.

Belle comes into his life and although she is scared of him at first, she doesn’t hold his appearance against him, she demands he treat her with respect. The biggest moment where he runs after and fights off the wolves is one of my favourite scene. She’s been terrified of him and his reaction to her going near the Rose, he regrets his actions and goes after her and protects her from the wolves, risking his life in the bargain.

She has the chance to leave, free and clear. The wolves are gone, he’s fought them off, but now he’s vulnerable and could be hurt further if she leaves. Possibly die. No matter how scared she might have been before, she can’t leave him there alone. So she saves him, takes him home and helps patch him up. In fanfiction te, ms we’re knee-deep in hurt/comfort territory here, and if you think you can’t make an entire book out of it,  AO3 would beg to differ. This is the turn in the relationship and it’s wonderful. She’s no longer scared while Beast most certainly is. He has no frame of reference for this treatment. She’s taking care of his wounds and scolding him for his temper.

At this point Belle is there entirely by choice. Beast would not stop her if she walked out the door, the climactic act where he releases her is at that point a formality, a necessary one in which he needed to vocalize she was no longer a ‘captive’, but it was a formality.

Beast is transformed by her, far more than any spell, she fights with him treats him as an equal, understands him and offers him kindness, spars with him verbally, and in the remake both of them share a love of reading and romance and being taken to far off places. I love the updated version so much because we get so much more of their interactions and more of Beast’s personality.

The 1991 version was heavily influenced by Howard Ashman. There are many articles about this and how he took the magical curse Beast suffered with and used it as an allegory for the AIDS epidemic during the time of the film. Broadly speaking the movie both 1991 and 2017 are about two outsiders that find love and understanding in a each other in a world that doesn’t accept them for who they are.

Beast is given a more traditional damsel in distress role, the actions happen to him. He several moments of agency throughout the films, but he is prince locked in a tower the princess must rescue. Beast’s first moment of agency is when he risks his physical health to save Belle from the wolves. He puts himself in harm’s way and learns that he can trust Belle. She doesn’t leave him to die in the woods, she’s concerned for his safety. This is new territory for him. There are small pieces of him making choices and trusting her more. Giving her the library, opening up to her over the course of the movie and them seeing more in each other. His next big choice is when he releases her from captivity. I believe he has already made this choice unconsciously after giving her the library, but I think he’s even surprised by it when he lets her go.

But the choice while difficult is the only one he could make. He knows this. Belle worried for her father, and he’s hurt, she needs to go see him and make sure he’s okay. The original stories have it that she is given only 3 days and must return, but Disney removed the time restriction and in doing so give Beast more agency. He knows he’s sacrificing himself in this moment. It’s more explicit in the 2017 version — thank you Menkin for giving me Evermore, I adore this fucking song — but it’s still there in the 1991 version. At this point I could argue the curse could be lifted. If she came back into the room and told him she loved him, it might have worked, but I don’t think he’s changed enough.

He’s been changed by her, and he feels it, but he hasn’t really shown it. Narratively speaking his changes are too internal and since we don’t much from his POV aside from Evermore, and a few brief moments in the animated version, so we need something more. The last moment the biggest one that I think cements him earning the removal of the curse is when he doesn’t kill Gaston.

He is physically powerful, he could easily outmatch Gaston, even with a gun or torch. He doesn’t wish to fight anymore here. He doesn’t believe he is worth saving and his heart is broken because Belle is gone. He is surprised, but fends off Gaston, sparing the man’s life because he doesn’t wish to kill. Him not killing Gaston, choosing instead to spare his life and turn his back on his old habits is the last step needed to make sure that Beast is fit for having the curse removed. He will no longer use his power, prestige, or physicality over others. He has not only learned to love someone, but he has learned to treat others respectfully.

Whether we as an audience agree with the move to spare Gaston, it would have been a very different ending and I don’t think it would have went well in the end. Beast needed to do this to show that he had been changed by Belle and he had learned the lesson of the enchantress, not only as it applied to Belle, but also how it applied to his staff and his subjects.

Disney, created a wonderful update to this classic, gave a princess the heroic journey, and damseled the prince. Now all it needs to do is give me the super gay version. I swear I need the version where the outcast peasant boy rescues the lonely prince in his tower. Will also be happy with peasant girl rescuing princess, and other variations on gender and sexuality. Give them all to me.

This has been Armchair meta.

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)

One snowy night in December of 1991, my parents took my brother and I to the Vogue theatre. It was a quiet night and I don’t remember the theatre being crowded. I remember the smell of the popcorn and licorice. I was enthralled with the movie as it unfolded. I remember that night vividly, the snow as it drifted through the air, how the city felt muffled and as if we’d stepped into a fairy tale as we left the theatre. I wanted to go back, I wanted to watch the movie again and again. I wanted to run away into that fairy tale and find my own adventures.

 I adored it so much.

Naturally, when I found out they were remaking the film for live action I was immediately excited, and became progressively worried until I absolutely dreaded it’s release. I had been trying to find other versions of the myth through out the years and none of them captured the same feelings I had watching it in that theatre when I was ten. There have been some absymal remakes through the years and none of them had the same disney touch. To have this movie happen now, twenty-six years later, I was sure there was going to be some flaw that would stand out and ruin it. 

News surrounding the movie didn’t help. 

Disney’s proud delcaration of an ‘exclusively gay moment’ and the backlash from both LGBT+ community and the christian right spun around the movie. Depending on who you were paying attention to, either Disney went too far and was trying to convert kids to that gay lifestyle, or they didn’t go far enough and had the audacity of using the slapstick villian sidekick as the gay character as a copout. 

After having seen the movie, I’m not sure you could even call what was on film an exclusively gay moment, it was subtext at best and retreading tired and old fashion jokes about cross dressing to highlight the hey it’s good to be gay. Disney was barely acknowledging the subtext that was in the 1991 film and decided to add a half second dance blink and you’ll miss it at the end. 

Disney wasn’t going to win this one, people were going to be angry and they tried to curry favour while keeping the text to the absolute minimum. In a story about outcasts finding love and companionship they really could have done so much more. Lumiere and Cogsworth could have been the relationship of choice, still subtle but a definite decision in the right direction. One day I will get my lonely outcast young man who runs from the village and discovers his prince. But it wasn’t this movie. 

That being said, I adore this movie. It has all of the story beats necessary to maintain my nostalgia bug, it has some extras that expand the narrative and fill some of the odd plotholes in the animated version. Belle is more active and proactive throughout the movie. The Beast (we’re going with Adam until someone can tell me a better name ) given more opportunity to be a well rounded character, bitter and angry yes, but as he opens up to Belle he shows his romantic side, how kind he is, and a fantastic degress of trust in her. 

I nostalgia cried through this movie. I loved every minute, every new song and additions to the story. I even like Josh Gad’s La Fou, he’s not the slapstick sidekick from the original and he is more rounded even if I don’t think the “exlcusively gay moment” was anything more than media attention.

I rented it two days ago and have watched it four times. I feel like that kid yelling ‘again again’ everytime I rewatch it. This likely won’t go away very quickly since the last time I felt like this for a movie it was The Hobbit Trilogy and I rewatched those to the point I can quote them. If a movie hits that part of my brain where I need to rewatch it repeatedly I lose all objectivity . 

There is also the writer part of my brain that is dissecting all of it and trying to rework and adapt and find places where there could be more story or more interesting stories to tell.

I understand there is a very good criticism of Disney movies in general that once the princess kisses her prince her story is over, and that Belle is used as a specific example of her ‘wanting so much more’ and then falling in love and her story is over. But Belle’s journey is introspective, her finding that there is more beyond the confines of her small village and finding someone like the Beast who shares her interests and understands her. The same way she offers him understanding and calls him on his shit. 

If I add a B&B or Eros and psyche Retelling to the list of things I want to write, I’m quite sure that Strife will arrive on my doorstep to hit me with a fish. 

Mirrored from BackshiftWriter.

mephestopheles: Steve Rogers, trans pride flag (Default)

Hi again. 

I’m going to try and do this daily Blogging thing and see how it goes, kay? Kay. The prompt I found for this is list your summer want list. Not sure how much this fits into a theme I have but hey it’s words, so it’s going here. 

Outdoor Activities

  • cook out on the beach
  • take the dog to the beach
  • Gypsum Quarry trail
  • Skyline trail 
  • Louisburg and a picnic
  • Pride week in Halifax 

Painting

  • Finish three paintings 
  • learn more skills for water colour
  • Develop more of a sense of drawing and seeing shapes

Writing

  • Re-draft Interludes — likely retitle as well
  • write more flash fiction

    Other things include hanging out with friends, barbequing and setting aside from money for Hal-con in September. That’s all for now. This blog though 21 minutes late for Tuesday, counts as Tuesdays blog. 

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    I need a nickname for my readers. Night Owls? Anyway, readers! I saw Wonder Woman last night and I am still excited. I am so excited!!!! This movie. Oh my gods, this movie. Patty Jenkins needs to direct more DCU. I’m totally useless at movie reviews. In short, the movie is everything I wanted for a superhero movie, the director, the cinematographer, amazingly, even the writers created a developed, engaging movie that builds the mythos and created a set of compelling characters and distilled the comic version of Diana into a fantastic movie.

    And trust me I kind of want to glare at Snyder, but perhaps Heinberg and Fuchs kept him on task — or more likely, Snyder can write a compelling narrative, but it takes another director to helm the project so it doesn’t go off the rails.

    Would I watch this again? Hells yes. I would have watched it twice last night if I could have. I’m going to see this at least once more in the theatre before it leaves, if not twice. I now want a five season series with HBO production values for Diana. Just, give me all of it.

    If you’re on the fence at all go watch this movie, trust me, you’ll be glad you did.

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    There’s been some restructuring behind the scenes around here. I’ve once again gotten myself worked up about meeting expectations. It’s a self fulfilling prophecy really, I want to do something I make plans to do it and I can keep on track for two weeks, then I forget, or I procrastinate and then it becomes this Big Deal™ and I procrastinate even more. 

    Not a really sound solution to blogging and beginning a writing career. 

    I’m going to try something new here, instead of scheduling deep posts such as the world building posts I’m going to start a thirty days of blogging, set a Max word count of 500wds and write something small every day. Observations, anecdotes, progress reports on various projects, and perhaps a bit more about me.

    Fucking something. 

    This will either work and be fantastic, or I will crash and burn. Maybe if I have an outside source to set the timer it might help. . . . Who knows.

    Right now here’s what’s happening in Finn’s life creatively speaking.

    SF Wip: no progress since January stuck in a major section near the end as I was tentpoling the major climax. Also I have decided that the first turn where a betrayal occurs might not last as long as I originally intended and have the conflict between my two protagonists be more external than internal. Basically I need the antagonist to split the pair not the plot. 

    Romantic fantasy WIP: this is not new. This is a fic I finished in 2015. It’s started it’s life off as Hobbit fanfiction and is getting a facelift. I’m working on some background world building to take the place if the overt and obvious Tolkien influences so that by the time this thing is ready to publish the bigger stuff won’t be as obvious.

    Painting: I’ve taken up painting. Both acrylic and watercolour. I dabble in both and have been really enjoying it as a stress reliever. I might post some of the finished pieces I’ve done in the last few months. 

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    My Best friend wrote a short story and is now published on Amazon! you should go buy it! It’s a short piece set in a near future/Alternate present, the implications are terrifying, the message is one of hope but vigilance. It’s a wonderfully original piece. It’s only a dollar on Amazon.com or a buck and change on Amazon.ca.

     

    The title of the short is Today, Tomorrow, Forever.  Go get it!!

     

     

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    Welcome to a new series for Back shift writer and Writers and Worldbuilders. Writers and Worldbuilders is a Facebook group and collaboration project of a good friend of mine. W&W hit 500 followers, and one of the things tossed around was the idea of looking at media properties such as Star Wars and Trek to look at their world Building influences. There are several YouTube and other documentaries about those mythologies, so I went looking at other possible sources and broadened my scope to Tv, Film, novels, and comics.

    Over the course of the next few months, I will be discussing various mythologies, their influences, how they built their worlds, what works, what doesn’t, fan theories, and any criticisms of the mythology in a larger social context.

    Considering the scope of the mythologies I will be discussing, the articles will have several parts. The first part will discuss the world itself and the inspiration, cultural influences, and history. The second article will discuss interpretations taken by the mythology as it grew, in cases of bigger commercial projects, what happens when other writers get involved (especially the case in TV and movies), adaptations and how they handled the product. The third part will discuss social issues, criticisms levelled against the properties and mythology, how the writers might have done better, and what ongoing issues, concerns there might be. During this phase, I’ll be discussing the broader applications of the fandoms created around the products, no matter how small.

    This is a big project, likely to be media intensive and I’m looking forward to really delving into some different mythologies. So often when we talk about world-building, the writing world lands on the influences of Tolkien for fantasy, Star Wars and Star Trek for Science Fiction, and while the mythologies are massive and do have broad applications and influences, there’s more out there.

    I’m always looking for other mythologies to research, here are the ones I’m tackling first.

    • Supernatural — Worldbuilding through Episodic Story Telling
      The Sandman — Non-Linear world building or How to build a world when Reality doesn’t exist
      The Dresden Files — Build it up, Make it worse, tear it down, Build it better
      Guy Gavriel Kay Novels — Subtle World through History
      The Hobbit — Cinematic Verse
      More to Come

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    Picking up a hobby is difficult.
    You have to be willing to suck.
    You have to dig deep and admit that you know absolutely nothing about this potential new hobby, but you would like to know more. Not only would you like to know more, you’re willing to put in the hours, weeks, months, and years of suck in order to get an even halfway decent. This is generally easier when we’re children. When we’re children we suck at everything, so one bit of suckage amongst the pile isn’t going to really deter us from at least attempting it. It’s why children have such fun pretending, and trying this new thing and that new thing. Something eventually sticks and with persistent effort they become better and better and suck less and less.

    This lack of fear in the face of failure is so important in creating things. But the more we progress through school, the older we get, the less we fail at things. That’s natural. We begin to fear failure because at first it reminds us we’re still children when we desperately want to prove we’re older, and stronger. It’s a sign that what we do should be taken seriously and that we have value beyond being the product of our parents. I don’t think we ever really think of it in those basic terms. I don’t think most people even conceptualize this at all.

    But it is definitely coded into our society. Or at least in Western society. That’s unfortunately my only frame of reference and the one I grew up in, if anyone else happens to read this and would like to weigh in on how their culture weighs risk/reward and failure/success in the arts I would love to hear it.

    Right, so, western society has this problem with failure. Failure is bad, wrong, no good, horrible, it’s the worst thing that can happen to a person. Success is the goal, the key to the castle. If you’re not a success you’re a failure. There is no middle ground. It’s okay when you’re a kid, up to a point, there’s an implicit understand that as a child you’re going to suck at things because you don’t know any better.

    It’s generally why hobbies that persist past childhood and adolescence tend to stick around for a while. I’m not about to get into a larger discussion of how western society and capitalism play a role in trouncing any and all pursuits that don’t also confer monetary reward.[western society and capitalism play a role in trouncing any and all pursuits that don’t also confer monetary reward.] And that hobbies and artistic pursuits are graded on a scale where the effort to become proficient becomes less desirable the older you get as a result of being less unique. That’s a topic for another time and I might pin it so that I can come back to it later.

    And let’s not forget that gender plays a serious role in any and all artistic pursuits. Cis white men are given more importance, more credence, and conferred more celebrity/expert status for their hobbies. Women and other minorities have to pass a never ending line of hurdles and gate keeping even if they are more proficient, are more of an expert, etc.

    This is one of the many failings of patriarchy and while it isn’t coded as important as other tasks it’s an intrinsic part of western society, so much so that talking about it feels odd.

    All of this comes back to the idea that at some point, once we pass our teens, there is less importance placed on Making, Creating. We internalize the fear of failure and the unspoken capitalist view that unless it’s commercially viable there is no value in it, so it becomes harder to pick up hobbies as we get older. And very hard to stick with them.

    I have two main hobbies, writing and fibre arts.

    Writing remains a hobby only because I have yet to find commercial success. I’m pursuing commercial avenues, and I’m writing original pieces and this blog for that end. But ultimately writing is still one of my hobbies. I’ve technically earned more monetarily from my fibre arts than I have from writing, in that I’ve actually sold product from dyeing fibre and yarn.
    In the case of both writing and knitting there was a case of pursued interest. I was interested in writing enough through high school and college, and had enough feedback through roleplaying and cooperative writing sites to make a concerted effort in getting better. I was given the opportunity to suck. To continue to suck because I showed real interest in improving.

    In the beginning, I had no idea I sucked. I thought I was writing brilliant prose. It’s the wonderful ignorance one has when they’re just beginning to write, they have no concept of tropes, clichés, retread plots, because a) they are calling upon movies and books they’ve read, but do not yet have the subtly to bury their reference points b) are still amazed by the ideas that are springing from their minds.

    Let’s face it, there’s an awe in realizing that the words you’ve written are your own, they came from your brain.

    This is heady stuff.

    It is hopefully enough to carry us through that awful horrible middle territory where we recognize how much we actually suck, and how much more work to do.

    But first, we need spaces to suck. And I mean Suck. Where we can write the purplest of prose, wax philosophic on green or blue orbs, write sentences that have no definable subject. Break every rule of grammar even as we relearn them. We need to be given this opportunity, because, without it, we never grow.

    I think this is why I also picked up knitting and stuck with it. There was the awe in creating something by hand that didn’t previously exist. There was a significant period where I wasn’t aware of my lack of knowledge so that my joy was able to flourish while I gained more knowledge. There was an intrinsic challenge that kept my interest. I mean yeah there were boring parts. For the longest time I was so utterly sick of scarves that I avoided them for a long time after started knitting other things.

    I put time, effort, and money into my craft, and expanded my knowledge base to include weaving, dyeing, and then spinning yarn. I’m on a wavering scale, knitting is at the higher end where I have the experience to try my hand at some damn complicated lace.

    I have enough knowledge of colour theory to make some rather pretty hand dyed efforts.

     

     

     

     

     

     

     

    And I can seriously weave if I’ve got a good teacher with me to handle the spots where I’m a little deficient.

     

    It’s important to have a hobby. It’s important to make things that didn’t exist before. I think it’s important to not decide on a hobby on whether that hobby will net you money. Not because monetary gain is inherently evil or some bullshit like that, but rather because your time is worth more than just money. I spent a lot of time trying to monetize either one of my hobbies and while I’ve decided that I wish to pursue a writing career — a career I’ve wanted in one way or another since high school but never had the courage to follow my convictions — the pursuit of that career is secondary to the pursuit of the hobby itself.

    I love writing.

    I love crafting sentences and picking just the right word to evoke the right emotion. I love when writing is easy, and even as I curse it, I love when writing is hard. And if you’ve found my site, you’ve probably been writing long enough to know that writing is hard. So damn hard.

    It’s hard having disparate hobbies, or at least apparently disparate hobbies. We get stuck in this idea that we can only have one thing we can be good at, one thing we can excel at. And yes there is a certain amount of truth is taking the time to perfect something. But perfection isn’t the goal, persistence is. Pursue something because it is fun, because you receive joy from it. Hobbies can your spirits, and offers comfort in times when things are difficult.

    If you want to learn something new, if you want to do find a new hobby. Do it. There are plenty of ways from the local library to youtube. Find a guild. Believe it or not you’d be surprised and how many things actually still have local groups and guilds.

    The take away from this, at least I hope, is that creating is important. I’m going to finish this post with a quote from Ricky Gervais. I really like this quote. I snagged it from somewhere, feel free to share it, the message is important.

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    “You are like Winter,” he whispered in her ear.

    Nis snorted, and hugged her thick cloak tight around her shoulders, and hunched closer to the fire. The singer was young and thought himself a flirt. Thought he would woo an old woman with a few pretty words and drag some coin from her purse before the night was done. At least he did not touch her, Mother be praised he didn’t touch her. She was too tired, and she needed all her strength for her climb in the morning.

    “Leave me be, boy. There are younger and prettier ones in this tavern for you to wheedle coin from.” A serving lad came by and deposited a bowl of thick stew and a tankard of strong ale in front of her. She ate to fill her belly, force some warmth into her bones before the morning. It made no difference. No matter how many times she came here, no matter how many times she ate until full, she could never drive away the chill.

    “But you are, Lady,” the young dwarf said. “You have the winter winds in your hair and ice in your eyes.”

    Nis didn’t look up from her bowl of stew. “My hair is white because I am old. My eyes were brown and now have clouded because of cataracts. Because. I. Am. Old.” She gnawed on a piece of gristle. “What else would you like to compare to the winter? Am I dark and unforgiving as a late winter eve? Or perhaps my wit is biting as north wind atop the mountains.” She laughed, loud and harsh amongst the din of the tavern. “I have been praised by far better than you, my dear dwarfling. What is your name?”

    He flushed red from the tips of his ears and lost the cavalier grace in teenage awkwardness. Nis felt a small pang of guilt and pushed it aside with more food. Better a harsh lesson early than never a lesson at all.

    “Vindir, ma’am,” he said.

    “Oh dear me, named after that fickle one?” She said and pat his hand. “Oh don’t look like that, Vindal isn’t the worst of the lot. Many poets are named after him. You’re young yet, and I’m too old to be twisted by some lovely words.”

    He shivered, and the fingers of his hand turned blue under her cold hand. She pulled it back under her cloak and finished her stew before it froze on her as well.

    “Who are you?”

    “Not the question you want to be asking, now is it?”

    “If I ask the one I want, I’ll get in trouble.”

    “And when has that stopped you before?”

    He flushed again, but straightened his shoulders and looked her in the eye. Not many had the courage to do that.

    “What are you?”

    Nis met the young dwarf’s eyes. He had magic about him, a small bit, not enough to make a living as a mage, but sufficient to give him some luck. Enough for him to see past the face of things. She settled back in her seat and sat up to her height. “Tell me, Vindir, what moon shone on the night of your birth?” Her voice was stronger than it had been all evening, had lost the raspy aged quality. She had few nights left, they would forgive her an indulgence.

    “There were three moons present in the sky, Halla, Myr’s and their daughter, Nis.”

    “A lucky auspice to be sure, yet you weren’t named after them?”

    The dwarfling winced and shook his head. “I was born in an elven village, away from our home. It was heresy to name a child after one of the Eight. And ill luck followed us in those years. Mum got sick, and Dad blamed it on the bad omen of the three moons. We left the elven lands and travelled until I was well into my forties. I was given the proper rituals on my fiftieth birthday, and reborn during the Feast of the South Wind.”

    Nis sighed and nodded. “Myr has followed your steps hasn’t he, young dwarf?”

    The young one flinched, and she bit her tongue to keep from snapping at him.

    “He has, but tis unlucky to call attention to it.”

    “Death stalks all mortals, young one. He is no more affected by luck than the wind can be changed with a prayer. He has not followed you out of spite or some vindictive nature. Likewise, he is a god and deserves respect. Your family gave you a secret name in those first days. I know for I know the names of all the children born and the names upon their hearts. The first whisper a dwarf hears through their own screams. You were named for him then, and I will rename you now, Myrnis Volfstag.”

    Calling upon that part of her being taxed her greatly and she slumped into the chair. Her lungs rattled with each breath she took, and she could hear caution in the shadows. ‘You’re about to kill me father, it is too late to show compassion,’ she thought.

    “You’re… you’re..”

    The poor boy had gone very pale, and Nis had been right about the little bit of magic he had could see beyond appearance. She waved her old hand, beckoning him closer. He hesitated, well, he might have some brains after all. She narrowed her eyes, and he flinched and came closer.

    “What am I, little Abhartach?” She whispered, her voice cold as winter.

    “Don’t— don’t call us that…. Not you. They named us after their demons, their fears.” He gulped aware of who he spoke back too.

    She inclined her head. “You speak truth, I apologise. Tell me who I am, young dwarf.”

    “You’re her, you’re the goddess. You’re the Crone, Mother Winter, Daughter of Spring. You are Nis.” His voice trembled, his whole body shook. “You’re not supposed to be here. I’m not meant to see you. Tuathan speak with their gods as friends. Dwarves don’t.” There were tears at the corners of his dark brown eyes and sweat beaded on his brow. His paltry magic was amplified the longer he looked at her. Looked and really noticed who and what she was. Terror and awe clung to his shoulders, and his knees were half bent, unsure if he should kneel in her presence or flee into the storm outside.

    She took his hand and held it tight, preventing any foolish action.

    “The Tuathan and their gods have their own relationship, they like mucking about in the affairs of their creation.” She turned Myrnis’ hand over and looked at the lines along his palm. “This is not your story, Myrnis. You did not leave when I told you, you continued to look even when your magic warned you to turn away.” She pat his shaking hand. “I have given you the gift of your name, no dwarf should be denied their true name.”

    “Please, Goddess, I did not mean to be rude. You looked lonely, and I only wished to make an old woman smile. I did not mean harm.” He was crying, but he hadn’t pulled his hand from hers, he hadn’t stepped back, too scared perhaps.

    She released his hand and left frost trails spread along his palm and up his arm. He shuddered as warmth returned. “Best you go now, young man. This is not your tale, go find a fair lad to bed and forget what you have seen this night.”

    He ran. They often did when given the opportunity, when released from the gaze of immortality and power. He fled the chill of her aura and found someone much warmer, much younger. Nis settled back into her chair, ordered more food and drink and stayed by the fire until it dwindled and the tavern closed.

    ***

    Her cloak did nothing against the winds on the mountain. The sharp rocks cut into her hands, and her blood dripped into the gathering snow. Sleet battered her as she climbed. Each step was agony. Her joints ached with cold, the chill born inside her had found an escape. She slept, clinging to the stones, trembling in the wind as blood ran down her hands and her hair snarled and knotted in the wind.

    It took her days to climb to the top of the mountain. Day and night of endless climbing until she collapsed at the peak, gasping for breath, unable to tell where one hurt began and another ended. The wind had died down. She did not wait for the pain to subside; it never would. It was part of her now. She stood on raw and torn feet, her cloak hung about her body in tatters. She shrugged it off her shoulders and let it fall to the snowy ground below.

    She greeted death naked, back straight, chin up and proud.

    A figure stood across the plateau. He was bone white, pale of skin, eyes, hair, and his clothes were a soft dove grey. He looked at home atop the icy mountain, as much a part of the scenery as the snow itself. He carried a sharp scythe in his left hand, and he held out his right to her.

    “Hello father,” she said as she stepped forward. She did not take his hand, nor did she seek comfort in his arms.

    “You are late,” he said. “I thought I would have to go find you.”

    “We have played our parts for aeons, and will continue to do so until the end of time. What makes you think I would shirk my duties?”

    “He was a lovely young lad.”

    She laughed. Not the croak she had in the tavern, but a full bubbling laugh of her in spring. “Father, you’ve been listening to the Tuathan too much these decades. Has Piran turned your head with the romance of mortality? Are you going to start creating clerics to worship you and bow at your feet?”

    He glared at her and let his hand fall uselessly to his side. “Are you ready?”

    “What, no witty banter before you kill me?” She waved her hand before he spoke. “Enough, I am tired, and I want to sleep. Mother is already mourning, and I would very much like a rest before Spring.”

    Myr stepped forward and placed a hand on her shoulder. “I will miss you, sweet child.”

    Nis felt tears sting her eyes and she brushed them aside. “Do not be gentle with me. Do not lie to me here and now on this earth that will hold my blood.”

    “My dear, I never lie, and I am always gentle,” Myr said above her. “I am ugly, hated, and feared in equal measure. But I am always gentle in the end.” He hefted the scythe over his shoulder. “It is you, my child, that is the lie, you are the cruel one.”

    The blade came down, and she felt cold air, a bite against her neck; then nothing at all.

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    Dear Mainstream media,

    I am tired.

    I am so very tired of this conversation.

    We seem to have it every year. Every month. Every week. It’s the same conversation. I’m surprised you’re not tired of it as well. I have spent my life looking for representation, for mirrors of my life. Characters, plots, situations, scenes that echo and resonate within my soul. I have asked, yelled, begged, and pleaded with producers and directors, writers, for a scrap.

    I get the same tired excuses. The public isn’t ready. Just a little while longer, you’ll see. Hey remember that movie that came out seven years ago or two years ago, that was representation right? I mean it did win an oscar. I’m greedy and unappreciative when I request for a story that doesn’t end in tragedy. When I tell them putting a cis man in a dress isn’t representative of trans women and is actually harmful to trans women I get shut down, ignored, told I’m being too needy.

    I have turned my attention to subtext, the underlying message of the text we’re given. I have spent decades being taught how to disassemble and reconstruct the greater meaning in our media and I have used that knowledge to plumb the depths of pop culture to find those like me. Those who can’t come out, or forced to remain in the closet their writers and producers have designed for them. All because the greater public is ‘not ready’.

    I’ve been told I’m seeing things, or ‘how could I really know, did one of the directors actually tell you this’. I’ve come face to face with defensive refutations of queer subtext. I’ve met with offensive refutations that threaten violence. How could I possibly want to see “that” on my screen??

    I’m a thirty-five year old trans man. I didn’t know I was trans until I was twenty-five and I was so happy to know who I was, and so terrified at once again ‘not being normal’ I hid. I was a mess, and I had nothing to show me that there were more people like me, that I wasn’t alone. My media representation  is thin on the ground, there are less than a handful of mainstream movies, they’re often oscar fodder and the main character is trans and tragic in equal measure. The narrative is clear in these films. To be trans is to be deficient and society will punish you for it. If you think I’m looking too hard at this, understand that this is the message that is being given. Boys Don’t Cry is a true story, the message is clear, society punishes the different. Albert Nobbs, whether the reveal is ever made to the rest of the cast is neither here nor there, the moment the audience is aware that he is trans (and let’s face it, the message in this film is not that trans people exist it’s that women dress like men to get ahead, not because they’re actually men) it’s only a matter of time before either society will step in, or his own tragic humanity will be his end.

    Other representations such as the french film TomBoy, are so horrific in their equating of genitals = gender narrative that it’s worse than having no representation. Documentaries and other dramas are there and most of them end in death and sadness and pain. Reading the descriptions of these movies, written by cisgender heteronormative is equally as disturbing as these characters are stripped down to genitals or disguising themselves or somehow hiding the ‘truth’. Summary narratives are even worse than some of the films and misgender so much I’m left twitching.

    And I think something that’s a real sticking point in all of this. The characters, unless it’s an indie film with limited release that it’s quickly buried, are played by cisfemale actors.

    Yes this is a problem. No, I shouldn’t be ‘happy with what I get.’

    Movies are boring me now. I’m tired of seeing cis male power fantasies, cis male revenge fantasies, cis male underdog stories. Your heterosexuality has been pushed down my throat until I have choked upon it and I am still expected to say please, thank you, and may I have some more.

    That ends. I’m done. I’m tired of your promise for representation ‘someday’. The public will never be ‘ready’. There is no mythical readiness for when the public can stand my existence. I am here. I am not going anywhere. The public takes it cues from its media and pop culture. The more media shows that I am not a tragedy, not a sin, not somehow evil or wrong, the more it includes me, and includes me properly, the more the public accepts that.

    I’m going to defend my right to see queerness in everything. I’m going to continue being aggressively queer, and show how media can be queer, and how it should be queer. I’m going to write my own novels and I’m going to promote representation of who I am, and others. I’m going to create intersectional stories will well-rounded cis women, trans women, trans men, POC and disabilities. I’m going to own up when I fuck this up. Because I am still learning, and I’m still unlearning a horrible system that has misrepresented me and others for more than a century.

    Stop asking me to defend what I see. Stop asking me to prove that characters are queer. I’m fucking tired of this argument, but I’m not done fighting, not by a mile.

    Sincerely,

    Finn

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    Not all trolls live under bridges. That’s the way of the past. Some trolls live in subdivisions.

    Margaret peered out behind the curtains for the fifth time in as many minutes.

    “Keep that up and they’ll know you’re staring,” Crissy said as she sipped a cup of tea. “You’re being nosy.”

    “I am not,” Margaret said. “It’s not everyday you see new neighbours, it’s not like this neighbourhood sees much traffic.”

    “Did the Brewster’s place finally sell?” Crissy asked obviously indulging her.

    Margaret sighed and stepped back from the window and plopped into the seat across from her sister. “It did, three weeks ago, but I haven’t seen hide nor hair of the new family.” She leaned in closer to her sister and lowered her voice. “Rumour has it they’re human.”

    Crissy coughed on her tea. “Human? In this neighbourhood? You can’t be serious.”

    Margaret hmmed and took up her cup. “I am, I heard it from Martin Hornespeck, he lives next door to Brodie Hammerfist, the realtor. And he said, all Human, all smooth skinned and no horns to speak of. Barely six feet at the tallest.”

    “Well that just won’t do,” Crissy said. “I’ve finally gotten my gardenia to blossom properly this year. I’ll not be driven out of another neighbourhood because of bloody humans.”

    Margaret waved a green hand. “Don’t you start. They might be nice.”

    Crissy snorted. “Sure they even invite you in for tea before they chop your head off and stick it on a pike in their front yard.” She pointed her perfectly manicured finger at Margaret. “They used to do that you know. Professional Troll Hunters. Don’t care if the laws changed to protect us.  That’s just for the pretty folk,  the pixies and the elves.  Humans don’t trust ugly magick folk.”

    “Speak for yourself,  I’m bloody gorgeous.”

    Crissy shook with laughter.  “Says the ugly sister. What are you bringing to the guild potluck at the end of week. I’m not going upstaged by your blueberry muffins again.”

    ***

    Margaret held the pie in one hand and straightened the hem of her shirt nervously. Damn it all, she was a warrior raised, former High Witch of Grabthar the Honourable,  and here she was, terrified of one human. Get ahold of yourself, she thought. She knocked on the door, four quick jabs against the wood, shaking the door in it’s frame. Damn strength.

    A few minutes later the door opened enough to see the chain lock still in place and a small human staring through the opening. It was dark out, the sun had long since set and only the small light above the door shone, mostly obliterated by Margaret’s shadow.

    “Hi, just wanted to welcome you to the neighbourhood. I baked you a pie! No, no need to come out please didn’t mean to frighten you. I’ll be on my way.” She said in a rush leaving the pie on the stoop. She did not flee back to her house. She walked purposefully. She wasn’t afraid of a human.

    ***

    Three days later, Margaret opened her front door to find her pie plate, cleaned with a gingerbread cake on top and small card. She took the cake into the house and set it on the counter. The card was miniscule in her hand with a hastily scratched, “Thank you, the pie was delicious. -H”

    ***

    And so it went.

    The gingerbread was delicious. Too delicious. She was the best baker on the street, she wasn’t going to let someone tip her from the top spot. She returned H’s cake plate and included her package of her best chocolate chip cookies.

    The following day a lemon loaf arrived on her step with a small note. “Is this a baking war ;)? Would be better if I knew your name. -Harriet.”

    Margaret cut off a large piece of lemon loaf and took a bite. “Fuck,” She moaned. Not fair, definitely not fair. She grabbed her baking bible off the shelf and flipped through her recipe index. “This means war, Harriet.”

    Chocolate espresso cake with a raspberry chocolate ganache.

    The next day only a note arrived. “You fight dirty, Peggy. Keep this up and I’ll have to invite you to dinner.”

    Margaret cackled. She loved winning.

    ***

    Harriett’s date squares were perfect.

    Margaret left a cherry kirsch cake the next day.

    Millionaire bars were countered with rice Krispie squares with home made marshmallow.

    The war of the fruit cakes lasted for two weeks and Margaret didn’t care a whit that she was the source of the rumours. It was the most fun she’d had in months.  The notes had turned to letters,  long hand written things in dainty envelopes.  She should tell Harriett not to give so much away in a letter to a witch, and Margaret felt a twinge of guilt each time she held back. She didn’t wish to scare her new friend, but the arrival of a deep dish apple pie with butter crust and the accompanying letter now with a spot of blood in the corner forced her hand.

    She sent across a small note with a batch of oatmeal raisin cookies.

    “Full disclosure, I’m a witch and you’ve managed to send me hair and now blood. I’ve burnt them so they can’t be used against you, but be careful. I’d like for you to retain your free will when I get the courage to ask you out. 😉 “

    ***

    No baked good for five days.

    Not a crumb.

    Not a candy.

    Margaret tried to ignore it, but she’d been having fun. Had she said too much in the last note? She tried to concentrate on other things, her loom was languishing in the studio and she had several orders backing up, but each time she sat down she kept thinking about baking goods, or that she heard someone on the stoop.

    Alas, nothing.

    This was ridiculous.

    Another three days passed and she was getting rather tired of her own behaviour. She was so discombobulated even her magic was getting out of hand. Her plants were dying for fucks sake and she was a hedge witch. That never happened.

    A timid knock sounded on the door and Margaret startled, breaking her favourite tea-cup with a crackle of magic. “Fucking hells, Peg, get a hold of yourself.”

    The knock came again, louder this time, but still… small. Like it was coming from a small fist. Margaret hurried to the door,  adjusted her bright blue hair in the  mirror,  took a deep breath, and opened it cautiously, the sun still enough of a pest to cause issues if she wasn’t careful.

    “Hi, Peggy, it’s me, Harriet,” A small dark woman woman said lifting a picnic basket half her size in both hands. “May I come in? I don’t wish to intrude, but you didn’t seem to be getting that courage to ask me out… So I thought I would bring dinner to you.  and I think you’ll  agree I’ve won the baking war.”

    Margaret snorted and stepped back from the door. “Pride goeth before the fall, Harry, or so they say. I can’t open the door, not without stone damage, but come in.”

    “Oh dear me! I’m so sorry,” Harriet squeaked. She opened the door just wide enough to slip through and shut it quickly behind her. “I didn’t even think.”

    Margaret closed the front door and turned to look down at the human in her home. She was tall for a human,  dark hair pinned into a bun,  dark brown skin and a bright blue smile. She carried a picnic basket that she had to have purchased at a troll supply store given its size.

    “I’m fine, and you know for next time. I usually have a few more protections on the front door, but they’ve been on the fritz lately. Here, let me take that basket and we can go into the kitchen.”

    Harriet handed the basket over. “Thanks,” she said following Margaret.

    She set the child size basket on the counter and unpacked a full course meal, dark blue eyebrows raising as she pulled out each new dish.  Steamed root vegetables in garlic butter, four different dishes showcasing a different kind of squash. A fresh salad with walnuts, pecans, and fresh berries. Pastry that smelled of brie and cranberries, and a large box of french macarons in a rainbow of colours.

    Margaret stared at the feast and looked to Harriet who blushed from her hairline on down.  Margaret was in so much trouble. Margaret cleared her throat.

    “This is lovely.”

    “I wasn’t sure if it was true, but I heard that trolls were vegetarian. The macarons are because I’m a sore loser.” She said and Margaret wasn’t sure, didn’t know Harriet well enough yet, but if there wasn’t mischief in Harriet’s eyes, she’d eat her pearls.

    “I am, we are, thank you,” she stuttered, “this looks wonderful.” She took two plates down and turned the kettle on. “But if you think I’m giving up just because you claim these are the best, you haven’t met me.”

    Harriet grinned and hopped onto the seat across from Margaret. “I love a good competition.”

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    **ported from my medium account**

     

    2017 started off with a bang for me.

    I live in a smallish apartment with three fanciful animals. A dog, Buffy, age six and two cats, Kili and Fili, age nine months. The pair came to me to via a friend at work after I made a rather frantic plea to find something to take care of a sudden mouse issue. They’ve not only done a wonderful job of that, as you would assume they’ve added greatly to my life even if the apartment has gotten a bit smaller as a result.

    Fili and Kili are indoor cats. The only time I’m aware of them being outdoors was on their way here, and while they do enjoy busying themselves around the entrance, they’ve never made a dash for the door.

    Until December 31st 2016 at 0015 as I took the dog out one last time before going to bed. And it had to be the skittish one. See, their names are scarily accurate. Kili is all cuddles and grand adventures and throwing herself around the apartment with great abandon. Fili is long serious stares, attacking from the shadows, and reminders that he comes equipt with tiny instruments of death on his paws.

    Fili is skittish, and does not like to be cuddled. In fact when picking him up the best way to describe his reaction is that he turns into a toy. He breathes, but that’s about it. I don’t pick him up often because I don’t wish to terrify him and it’s easier to let him make the decisions regarding touch. Yes, I let my cat give me consent before I pet him. Saves me from getting torn to shreds, saves him from being traumatized.

    Unfortunately, on that fateful night, in the brisk cold of a Canadian winter, my cat, Fili, decided to panic at the sight of the dog, and flee outside of the apartment not upstairs. This of course led to led to panicked yowling and indecision. I ran forward, he ran away from me, or rather crawled, claws out screaming his lungs out; “I DO NOT LIKE THIS! WHAT HAVE I DONE! STAY AWAY FROM ME YOU FOUL CREATURE!”

    He proceeded to find solace under my neighbours back porch. And continued to scream. I ran inside for treats thinking they might work, but lo, I was sadly mistaken as another feline arrived at the familiar rattle of a Temptations bag. This cat, friendly though it was, ensured that Fili wasn’t going anywhere.

    He saw the other cat as it came to investigate his hiding spot and he stuck both furry middle digits up and yowled a firm ‘fuck you’ to all and sundry.

    I called a friend of mine who was blessedly and thankfully awake and we attempted to lure Fili out by tying his sister to a pink harness and dragging her ass out in the cold.

    It didn’t work.

    I think I got another middle finger and that was it.

    Left with no other options I posted on facebook and plead with local friends and cat lovers to be on the lookout in case he decided to wander once the terror displaced.

    In the morning, I took the dog for a walk, and then tried to locate my poor kitty once again. I left tuna out for him and spoke with several neighbours so they knew what he looked like. My next door neighbours are absolutely the sweetest people I’ve ever met and they put a pillow out for him and I gave them a bag of treats should they see him.

    I didn’t see Fili again until 2300 on December 31st.

    I had to work New Year’s this year so I worked backshift on the 31st and the 1st. A friend at work very kindly took me down to my apartment to have another look and once again I tried to use his sister to coax him out. I at least got a look at him, but he wasn’t coming near me for love nor money. Disappointed but hopeful, I returned to work and rung in the new year with coworkers, returned home and went to see I could spy the cat once more.

    He was more amenable to the dog than he was his sister. He was damn near ecstatic seeing Buffy outside and proceeded to dodge my every move to grab him as he showed her all his hiding spots and scratching posts. It would have been cute if I hadn’t been exhausted.

    I managed to grab a few hours sleep and then trudged out into the rain and sleet to attempt another shot and dragging him in to no avail.

    I ended up wet, and chilled to the bone for my trouble and the cat just blinked at me and avoided the entire thing by staying just out of arm’s reach.

    Desperate measures and all that. I spoke with a friend on facebook and worked out a plan to get a live trap to contain my knife wielding mini death machine. Dad picked me up the next morning after a too short nap and I came home and set it up with food, and made another attempt with the dog.

    It didn’t work.

    Eventually I had to go and do adult things like laundry and wishing my father a happy birthday. Whilst waiting for him I took the dog out once more and proceeded to use her as a carrot to bring Fili up the driveway.

    SOMEHOW THIS WORKED.

    I panicked when he nearly got to the door because I was terrified that his sister would join him and the two would abscond on a Bonnie and Clyde-esque adventure in which they take over the neighbourhood leaving destruction and chaos in their wake. They’re crafty; I know they’re capable of this.

    On went the harness again and my father arrived to find me with my apartment door open, holding one cat in a neon pink harness in one hand, while I gripped the dog’s leash for dear life in the other. Fili, bless him, was five feet away and whipping his head around between me, the door, and now the car in increasing panic.

    The next twenty minutes could have been written into a sitcom for all of the ridiculousness that followed of two grown men attempting to contain a small cat and use a dog as bait. Kili continued to be useless, the harness having zapped her of her ability to move. After the aforementioned twenty minutes I gave up and returned to entrance of my apartment to release Kili back into the safety of the house.

    As I closed the door I heard an offended yowl that roughly translated to “HEY FUCKER WHERE YOU TAKING MY FAMILY!”

    I flung open the front door, hid behind it with Kili in one hand, the dog snugged up against me as tight as I could hold the leash in the other and I held my breath.

    An interminable moment later, Fili clawed his way into the house and flew up the stairs as fast as he could. The cat came back.

    If this is how my 2017 is destined to go, it’s certainly going to be a bit of a ride.

    Mirrored from BackshiftWriter.

    mephestopheles: Steve Rogers, trans pride flag (Default)

    So this blog is going to be a mix of topics that keep me entertained and conversational blogs such as this one. I’m still learning how I’m going to format and go forward with this blog so the next month at least is going to be a mish of stuff. One might say it could even be a mash.

    There will be essay type posts coming soon, I have one several in the works including on the breadth of story telling with Pixar and Miyazki, a series about world building in fiction which leads into a how-to series. Also there will be some diversity posts, explanatory posts regarding how and why the term ‘cis’ matters (an old post from an old blog of mine) and others that touch on trans narratives and those topics that touch close to home.

    Currently I’m a little less prepared than I had hoped to be, a combination not anticipating how busy December really would be and then the last three days have been taken upw ith worry over my cat, Fili. He ran away on Friday and while  I know where he is I can’t reach him or convince him to come back into the house so I have to set a trap for him today and hope that will finally bring him home.

     

    Mirrored from BackshiftWriter.

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